I See You Found Your Way, Welcome
Feel free to stroll around. Whatever catches your fancy. Enjoy.
Because the Pen is Mightier Than the Sword
We have a variety of topics in styles including script and screenplay, fiction, testimonial, copywriting, technical writing, advertising and marketing, novel excerpts, short stories,… some musing and poetry even. Read all you like. All by author Gabriel von Grünbaum.
What’s that? Looking for something specific? Pick your aisle:
SPOILER ALERT: Everything is, at least, mildly amusing. Unless you’re a wet-blanket… are you a wet blanket? Didn’t think so. (Moist blankets will probably be fine.)
Latest Projects Currently Available
And How to Get Them

Darkest Timeline
High-Concept Horror Screenplay
In a time, that seems very familiar. In a country, very explicitly uber-sexy. In a city, losing its identity. In a home improvement store, expanding. Three—No… Six multi-ethnic coworkers, and… even more assorted coworkers, try not to kill each other, while getting murdered—to death. More dismembered organs than Gray’s Anatomy. Stumble into darkness.
“Nightmare fuel, almost worse than daily news.”
“I washed my eyes out with soap.”
“Dragged to hell and skullf**ked by a clown with a PhD.”
It really is the most disturbing script I’ve ever written—but super fun and funny at the same time!—but a bit… explicit, for the tone of this page. You can read a “safe excerpt” below. If you’re looking for your next film to produce, and this sounds like your bloody cup of tea, use the not-so-secret “industry handshake” site for finding fresh new screenplays—currently live, available for production acquisition on THE BLACK LIST.
Inspired by the special effects, makeup, and prosthetic design works of Rogue Planet Laboratories.
ADVENTURE JOURNAL
Scientists from The Floating Bar Institute are bringing the Adventure Journal back! Exhaustive research led them to create this journal with comfortably lined pages that you can write on, sketch in the margins, tuck ticket stubs into,… heck, find a neat leaf and press it between the pages. Go nuts! Or don’t—by recording your valuable festering thoughts in this journal. Smooth, stylish, and totally you—this matte hardcover keepsake is ready for your daily thoughts, sketches, or wild plans. 150 lined pages, tearable sheets, and a bold cover that pops.
An extremely fun ongoing project with Bocas del Toro’s original The Floating Bar to create themed products and experiences for patrons, visitors, and those who want a bit of that Caribbean magic at home. Be sure to swim or float on over next time you’re in Bocas del Toro—and if you take a water taxi, be sure to tell ’em you want “the original.”
Authored product cover and marketing materials to create a memorable and fun experience. Look for more new goodies coming soon. Pick up your own Adventure Journal wherever you are in the world, at The Floating Bar‘s official online store!
— We Pause Here for Station Identification —
Broke into radio at 17 to become a comedy writer for broadcast, and an on-air talent, for KYRE, KSYC, and also KMJC, specializing in sketch, bit, and ad copy… sometimes called “Ride Boy.”
Stare at my face as it moves and makes sounds in accordance with the words I assembled for the benefit of others as “The EPSON Guy“.
“Gae-Brie-El”
It’s like a jumble of 3 languages that roughly means “The Happy Cheese.”
“GrOOn-BOUGH-mmm”
Like, grooming a horse, but with an N. — Like, the bough of a tree, with an M at the end. Delicious.

“Orange you glad I didn’t say banana?”
I’ve put words in people’s mouths, sure. Even recorded it for posterity. And, I’ll do it again.
But, more importantly, I put words in people’s heads. In fact, I’m doing it right now. Guilty as charged. Got a little crazy in you? You do now. Sorry. I’m contagious. They stopped developing the vaccine for me because they said it was causing Restless Mind Syndrome—yeah, RMS—as well as coping fatigue, inhibited wonder, and Stage II Otter Pox.
Who do we have to blame for the blight of my existence amongst decent folk? One Mrs. Sue Silvius. Yeah, my diabolical 6th grade teacher. She was probably like a hot 25 at the time, but I still don’t understand the definition of time, or girls. She looked one-hundred and blumpty to me. Math was stupid anyway. She kept me in the room while all the other sweaty fart-knockers went to recess.
“Gabriel, why won’t you do your homework? This was just a one page writing assignment. You could’ve written about clouds, or puppies, or rockets. Anything,” she ruthlessly probed with a warm smile. She wouldn’t trick me!
“Writing’s stupid! I don’t like it,” I said, opening her mind to the reality around us for the first time.
“Okay. What do you like?” Oh, she was good. The sinister wench already had me on the ropes!
“I don’t know… Stuff that isn’t stupid. Drawing and painting and stuff. Like, robots and dinosaurs, and trucks. Cool stuff. You wouldn’t understand.”
“I see.”
Checkmate, witless lady ghoul! It would be a cold day in hell before she would have the pistachio sack to try again with her stupid—
“Well…” She couldn’t! She wouldn’t! I’d already humiliated her old-lady intelligence to a realm that can best be described like that hard to clean area behind the toilet! “What if I told you that writing is like painting with words? You can paint pictures in people’s minds, just by using words the right way.”
Shut up! I was too stunned to cry. But, the witch’s words were already liquifying my brain into an aromatic gazpacho with basil, coriander, and a hint of eternity. Your black magic won’t ever… but, it was already too late. She’d infected my mind with… words. “Okay,” I mumbled staring down at a chip in the linoleum tile.
“Alright,” she smiled, like a smug assassin of ignorant bias, “enjoy the rest of your recess.”
I ran from the room, amazed to have escaped with my life! I spent the next 15 minutes seeing how much gravel I could fit in my nostrils at once, but Sue Silvius’ words have haunted me to this day. Her stupid WORDS!!
WARNING
Mermaids, genies, and even step-by-step instructions are all lurking the deeper you venture into
The Library
Important safety information for the proper use of GABRIEL GRÜNBAUM™.
Gabriel Grünbaum is indicated for the treatment of words and phraseologies that benefit from those approaches considered unusual and/or creative.
Do not work with Gabriel Grünbaum if you are allergic to him, his ingredients, or the completion of initiatives.
Gabriel Grünbaum is a creative power-house and may increase your risk of success, which can be serious, such as higher ROI, expanded reach, or more infectious viral content. Before working with Gabriel Grünbaum, tell your doctor if you have a history of wishing to be impressed, enjoying pleasant surprises, or are pregnant or planning to become pregnant, since your doctor should probably know about such conditions.
The most common side effects include upper respiratory laughter, resulting rib ache, thoughtful reflection, unforeseen approaches, augmented media digestion, and engaging site reactions (readiness, itching for more, swelling of consumer response rates).
Talk to your doctor to see if Gabriel Grünbaum is right for you.
Welcome to a brighter future today with GABRIEL GRÜNBAUM™ by your side!

DARKEST TIMELINE
spec screenplay available for access & production on The Black List

In a time, that seems very familiar. In a country, very explicitly uber-sexy. In a city, losing its identity. In a home improvement store, expanding. Three—No… Six multi-ethnic coworkers, and… even more assorted coworkers, try not to kill each other, while getting murdered—to death. More dismembered organs than Gray’s Anatomy. Stumble into darkness.
This screenplay is inspired by the magical special effects and remarkable prosthetic makeup work of Rogue Planet Laboratories. The goal was to create a story that is massively offensive and violently brutally gory. One of the those “boobs & blood” pictures that kids might have snuck into in the early 1980s only to emerge scarred for life—in a fun way!
I’ve never written an exploitation piece where people are being ripped to shreds every few pages—where the rules of moral decency, let alone common decency, are thrown out the window. It’s a “slasher” with blatant racism, political violence, extreme sexual misconduct, animal cruelty, and disgusting snack foods.
My original working title for it was:
TRIGGER WARNING
Because, if anything triggers you, it’s in here. (Now, it’s the title for the sequel! Muahahaha!)
So, leaned into what I do know, in order to tackle the material; absurd over-the-top comedy! A teaspoon of sugar to help the poison go down—at least for me. A little bit sci-fi, a lot bit hilarious… if it doesn’t make you sick first.
I wasn’t able to find any sections of the script that weren’t “too much” and would still be interesting out of context—except for this stand-alone commercial that plays on a TV in the background, starring Ken and Jerry. This scene will show you a taste of a world completely off its rocker with only a threadbare regard for common sense left.
SCENE
INT. HOMESTEAD/BREAK ROOM – NIGHT
The break room TV is running a commercial where JERRY and KEN are playing tennis. Jerry scores triumphantly while Ken is just coming up short and out of breath. They meet for a breather at the side of the net. Jerry is looking fresh and energized; Ken, weary and worn out.
JERRY
Great round, Ken! Up for another?
KEN
(huffing)
Jerry, you are crushing it out here today. I’m just having an off-day.
JERRY
You’ve been having an “off-day” for a few months now, Ken.
Jerry takes a refreshing chug from his bottle as Ken reaches for his own.
KEN
You’re not wrong, Jerry. I’m working to improve my diet and my health. You know, quinoa, kale, locally sourced organic cage-free pasture-raised artisanal farm-to-table boneless skinless low-sodium poached chicken breast filets.
Jerry nods. Ken takes an unpleasant chug from his own bottle.
JERRY
Oh, what’cha got there?
KEN
(holds up bottle)
This? It’s sustainably sourced pine nut milk. Good for cardiovascular health. Wish it tasted better.
JERRY
Nut milk?!
(laughs)
Ken, that’s your problem right there! You need Hole Milk!
KEN
Whole Milk, Jerry? But, I’m lactose intolerant.
JERRY
No; HOLE milk, Ken; without the stupid double-u or lactose. It puts hair on your chest. And, it looks like you could use some.
KEN
Oh yeah? What’s so special about Hole Milk?
JERRY
(finishing another swig)
What isn’t special!? Full of vitamins and minerals; and sourced from the very finest USDA approved holes.
KEN
What kind of holes, Jerry?
JERRY
The best kind, Ken! Here, try some of mine.
(holds the branding shot)
This is the new Hole Milk: Sport, with vitamin D and two-percent methylated amphetamines!
KEN
Methamphetamines?! Are they organic?
JERRY
And locally sourced!
Ken takes a chug from Larry’s bottle.
KEN
Mmm… Tastes like creamy anti-freeze.
JERRY
And, that’s only one of the special additives! So, ready for another round?
KEN
Heck, let’s do six… seven!
Ken and Jerry laugh as they resume playing tennis.
TITLE CARD: “GOT HOLE MILK?”
ANNOUNCER (V.O.)
We’ll worry about the holes. You enjoy the milk. Got Hole Milk?
(artificially faster)
Side effects may include bleeding eyes, heart failure, shitting out of your mouth, the sensation of being submerged in a swamp, and death. If you’re pregnant or planning to become pregnant; not anymore. Ask your doctor if Hole Milk is right for you. Spoiler; it is.
END SCENE
I Dream of Jeannie
spec screenplay of re-imagining available for production to rights holders

Sidney Sheldon’s classic romantic sitcom gets an edgy inclusive update, growing into an hour-long comedy fantasy romance action/adventure episodic.
Jeannie, the genie, is innocence in possession of simple wisdom and a thirst for fun and adventure fueled by nearly limitless magical powers. Tony, the astronaut, flies into dangerous situations with a respect for science, engineering and logic, running on his military training and (mostly) harmless arrogance. Together, their enchanting chemistry will hilariously unlock the strangest secrets in the universe—all from Cocoa Beach!
The vision of this reboot is to honor the classic series, maintaining the original campy and zany sense of humor with largely comedic character portrayals, while—
- Taking the comedy to edgier places that address modern concerns—making the series a playful/fun conversation starter for issues viewers face in the world around them
- Creating a more diverse representation of characters that better reflects an increasingly global community, with varied beliefs and lifestyles
- A quick scene in the pilot, The Lady Without a Bottle, illustrates this series’ relationship to the original series, allowing both shows to exist independently in their own universes but still tied together
- An enhanced, more accurate—and still fun!—representation of early Mesopotamian mythology and culture (including dialect, based on the latest research), wherein jinn and genies have their origins
- Diving deeper into the fantasy and adventure elements, taking advantage of modern special effects techniques and technology
- Expanding episodes to an hour-long format, exploring more intricate storylines
This version of I Dream of Jeannie embraces adventure, leveraging Jeannie’s powerful genie magic to create, bring or send stories in fantastic directions. A great reference would be to imagine the Jeannie characters navigating a universe much like Doctor Who with varied and wild fantasy scenarios and encounters.
- While the romance elements will color the relationship between Jeannie and Tony, they will not be relied on for main-plot story construction—meaning any regards to “will they, won’t they” during the first season will not be leaned on for creating engaging storylines and will therefore not be used to induce audience engagement in the series.
Teaser
EXT. LOWER-UNUG/PUBLIC SQUARE – DUSK
TITLE OVER: LOWER-UNUG, SUMER – 4142 B.C.E.
Mythologically deep, in a dimension with red skies, under the Sumerian city of Unug (Uruk), SAGMI “JEANNIE” GÉMËLILI (Mesopotamian, in harem-style chiffon) and MAJOR ANTHONY “TONY” NELSON (African-American, in a battered spacesuit, no helmet) are chained to the public whipping posts.
Magical creatures, deities and demons run errands, and criss-crossing winds blow bustling smokey genies around the square on their daily business.
TONY
Jeannie!——I’m working on a plan. There has to be a way out of this!
(V.O. dub translations don’t quite match speakers’ lips.)
JEANNIE
(dub: Emesal accent)
Of course, master Tony. But only one wish have you left and declared you of not being in want of it.
TONY
Of course I don’t want it! Not when every wish goes wrong. I need a better plan. My next wish could land me in a meat grinder.
Pink flames flicker in Jeannie’s eyes——she prepares to blink and nod to grant his wish.
TONY (CONT’D)
That wasn’t a wish!
Jeannie sighs in disappointment. With a gust of wind, PAZUZU emerges in a plume of fire and smoke from the crowd before them. He stands over seven-feet tall, has the fearsome facial features of a lion with a thick mane, two sets of bat wings, the tail of a scorpion and fingernails that grow like talons. His genie guards flame to his sides with roars of smoke.
TONY (CONT’D)
Oh, great. Your boyfriend’s back.
JEANNIE
Not my…! Once did I serve him. Alone did he consider us to be “a thing,” master.
TONY
Doesn’t look like he’s taking your breakup too well.
JEANNIE
To break up there is nothing! My belief is that rages he over your insult to his offering of supper.
TONY
Really?! And how exactly am I supposed to eat a skull full of
rubies?
PAZUZU
(dub: Emengir accent)
What means this babbling?
JEANNIE
Forgive him, my lord. Decidedly queer is his tongue——deeply queer.
TONY
It’s what now?
JEANNIE
Though, truly delightful company maketh he. Marvelously gay is he——indeed, quite enjoyably gay.
TONY
I’m what?!
PAZUZU
No matter. Refuse I your queerly gay gift of apology. Seek I but one addition to my harem, dear Sagmi.
TONY
Oh, thank God…
JEANNIE
Misplaced is your understanding, Lord Pazuzu. To but introduce you to Major Tony Nelson, King of NASA Space Men, Lord over Forces of Air, was my only intention——to acquaint you of my new master… my husband.
PAZUZU
Your what?
TONY
Your what?!
JEANNIE
(whispering to Tony)
Should you play along with this plan, will he then release you.
Tony looks conflicted, scared and doubtful but then stands tall and nods.
TONY
T’is-ith true-some, I’m queer and gay and married to this… woman.
PAZUZU
(face scrunching)
Nary one word is intelligible of that tongue. Release him.
Relief washes over Tony as the genie guards unchain him.
TONY
Oh, thank you, Jeannie——thank you! You really came through this time.
PAZUZU
Prepare him for the Challenger’s Death Duel.
Genie guards drag him into the air on jets of flaming smoke.
TONY
Wait!——the what?! Jeannie! Jeannie! I take it back! It was a joke! Bad plan! I want a divorce! Jeannieee!
END TEASER
WARNING
Turn back before you must face goblins, cyborgs, and diabolical interdimensional fish the deeper you venture into
The Library
Prologue of the Manuscript
SHADOW EARTH
ACTION/URBAN FANTASY
What might “the hero’s journey” look like flipped on it’s head? Could you create a villain’s story using the same mechanics, twisted? Not an anti-hero, an anti-villain. There’s no redemption, but there is a lot of fun. A villain the reader is invested in and rooting for.
That’s the first question that this manuscript tackles. The second is—
Can you write a novel that’s non-stop action? Like a balls-to-the-wall action movie that gives you nothing more than quick moments to catch your breath… as an engaging book.
First things first, you have to tear down obliterate expectations. That’s the goal of the prologue for Shadow Earth.

PROLOGUE
The Various Tragedies of Marcus Fey
It was Outside the Box Days at the Office Shack. Two weeks of unbeatable savings on everything for the office—when the store was open. It was now long after closing, the wee hours of the night; the witching hour. The Office Shack’s store manager, Marcus Fey, was hunkered down and breathing heavily, but as quietly as he could, behind an overturned desk with a cheap oak veneer in the office furnishings department. He was soaked in sweat. A desperate trickle made its way down to his quivering lips. It tasted salty but also coppery and a little sweet. He slid a shaky hand into his hair to feel his head; it felt slippery, it stung. He squinted up at his hand to find it slicked with blood.
Maybe he could make his way to the letter openers and box cutters in aisle three? He didn’t know where that hulking berserker thing was lurking in the flickering dark of the emergency lights, and a box cutter probably wasn’t going to be of any use against it—maybe just piss it off. That was the smell he couldn’t place!—that’s what that thing smelled like—piss. No, he would need something bigger; something that caused more damage than a box cutter. Maybe he could unscrew the arm off of one of those big paper cutters behind aisle nine? His college science trip to the jungles of Colombia where he perfected his machete hacking skills might finally come in handy.
Marcus heard its growl, a rumble he could feel in his chest. He cautiously peeked over the edge of the desk and caught a flash of the dark monster. It was stomping around over by the laptops; maybe projectors. He wished he had the time to panic, to reflect on the fact that there was no such thing as a rhinoceros bear man, full of horns, claws and sharp teeth—at least not in this part of the country. Those salesmen from Toledo last month came close, but only metaphorically speaking. The store was a total loss at this point—the growing fire in printers would make sure of that—but he might be able to save himself if he could just get out of here. Why did he have to come back for his briefcase, tonight of all nights? The cool head and focus he’d honed as a volunteer fireman kicked in, not on behalf of the printers but to get him up and moving to the back of aisle nine.
The promising shiny guillotine blade was bolted tightly, connected to a tension spring on the back of the paper cutter display model. Just then he remembered: the multi-tool Heather had given him for his birthday, it was still in his pocket, it could fold into pliers! Best girlfriend ever!—Lisa hadn’t been that bad, she was just a little too intense and kept yelling at him to “man up!” Thank God for Heather’s insistence that he always carry it with him, since he insisted on “driving around that busted up old car.” He had the stubbornly bolted blade off in less than sixty seconds, but it wasn’t quick enough. A gust of that rank piss smell burned his nostrils. The towering beast was suddenly behind him and just as quickly knocked him into the wall of printer paper with a staggering blow using an adjustable desk chair—one of their better selling brands, heavy but breathable.
Marcus spat a mouthful of blood across a shelf of three-hole punches on sale for $8.99. He scrambled across the floor to where his newly liberated blade had fallen, knocking over a clearance bin of highlighters. He spun to a kneeling position raising the blade just in time to block most of next bludgeoning assault with the desk chair, but his balance was still unstable and he was knocked back into aisle seven—sticky notes, staples and thumbtacks. To the horror of his inner manager, he quickly started hurling the thumbtacks all over the floor. The beast-man was dressed only in a loincloth made from the hide torn off an unfortunate coyote or something, he wore no shoes. It came raging around the corner of the aisle and roared so loudly that Marcus’ balls shook and then quickly ascended.
Within a couple quick stomps it was upon him again, unimpressed by the littering of puny thumbtacks pressed under its feet. Marcus stumbled back into a display for a special they were having on paper clips, but he kept his wits. He swung his paper cutter blade and buried it deep in the beast-man’s thigh. It dropped the weaponized chair and howled in, what Marcus hoped was pain. He couldn’t pull the blade free again; it was tangled in tendon and muscle, cleft in bone, if he was lucky. Just as he gave up on the blade to turn and run, the beast-man reached down and painfully jerked him up off the floor by his left arm, dislocating his shoulder and leaving his feet to helplessly dangle in the air. He tried kicking its chest but the effectiveness was akin to kicking a brick wall. It brought him up to its snarling face and gave him a couple quick sniffs. How it could smell anything beyond its own rank stench was a mystery—did this thing roll around in its urine? He could swear its wicked expression was a smile as it licked its lips.
Marcus would now be eaten.
He would never see another sunrise.
He would never have children.
He would never be promoted to Office Shack regional manager.
A great calm came over him suddenly—a calm acceptance to precede the crunching of his innocent bones. He thought of Heather and hoped she would understand that he’d never intended to be eaten, not like this. And that’s when a Kalashnikov automatic assault rifle started boring a spurting gory hole into beast-man’s back. The monster’s grip on him started to weaken. Marcus opened his eyes, he didn’t realize were closed, and saw the kaleidoscope of expressions racing across the horrible creature’s face—mostly shock and pain, but one looked as if it might be a little gassy. He was dropped and fell back. The sound of the assault rifle stopped and the beast-man’s face finally settled on a glazed over, slack-jawed disbelief. It fell to its knees as Marcus scuttled back across the floor just in time to avoid it falling over on top of him. There was, indeed, a significant blood-gurgling hole of meat blasted out of the beast’s back. Behind the carnage, dramatically lit by the printer fire that had now spread to copiers and toner, splattered in greasy monster blood, was his savior shouldering an AK47.
“Ms. Dinardi?!” Assault rifle in hand, his life had just been saved by his old high school gym teacher. Marcus now wore that face of slack-jawed disbelief. “What are you doing at Office Shack? We’re closed.”
The emergency sprinkler system kicked on.
“There’s a lot to explain,” Ms. Dinardi barked over the roar of flames and raining water. “Best if we step outside for the debriefing; suffice it to say that you’re no longer safe and we have to hurry.”
As they stepped through the shattered remains of what had once been a display window, an unmarked black van pulled up to a screeching stop in front of the store.
“Get in,” ordered Ms. Dinardi.
“Wait, shouldn’t we wait for the police and fire department? I’ll have to file a report on behalf of the store and I don’t know how I’m going to explain this to the other guys at the firehouse…”
“By the time anyone else gets here, they’ll have things other than reports to worry about,” she said, pointing to the corner of the street. Around the block stepped a creature that Marcus could only describe as a dinosaur dog, bigger than a city bus and looking cranky as hell. Its massive collar was connected to a collection of leashes being pulled by an agitated crowd of strange looking little people yelling and hopping about like crickets. The dinosaur monster jerked its head to the side and chomped one of the hopping little ones right out of the air. There had to be at least fifty of them—minus one—poking the creature with spears, yelling and tugging it right toward the Office Shack.
“Oh, okay,” Marcus nodded with the remnants of his rational mind. He followed Ms. Dinardi in a dash for the van holding his shoulder. The side door slid open and a collection of hands reached out to help him inside.
Ms. Dinardi updated the driver as she got in the passenger seat, “Single ogre scout, ugly one; neutralized. Now that they’ve found him we can expect the full force of their first wave. We should have started all this months ago. Goblin horde with a tinzlor beast at our six.”
“As you’ve said before,” replied the driver checking the rearview mirror. “But even now, he still isn’t ready.”
“Mother Superior Geduldig?!” Marcus yelped at the driver in the habit. He hadn’t seen her since the orphanage.
“Hello, Marcus,” replied the mother superior. “First, know that we’re all here for you, we love you, and now it’s time for you to kick some ass, darling. Buckle your seatbelt. You other bitches hang on.” The tires screamed and spewed smoke as the van whipped out of the parking lot, away from the horde and their beast.
“What the hell’s going on?!” Marcus whimpered, trying to get a view out the window. “My shoulder; I can’t move my arm.”
Heather Williams sat across from him. She reached out and felt his tender left arm, “Try to stay calm now, honey. We have a lot to talk about. But first—” She pulled his arm out straight to the side with a powerful jerk and it popped back into place.
Marcus reeled in pain and then his tunnel vision started to widen, “Heather what are you…” His girlfriend wasn’t the only one he recognized in the special ops van: Brenda Meeks who worked for him at the Office Shack’s customer service desk; Pamela Horton who taught his cardio kung-fu class; Asha Patni who coordinated his volunteer fireman schedule; that new girl from the corner coffee shop by his apartment, Tiffany something—or The Mayor of Super Rack City, as his buddy Roger had called her. They were all there—and they all wore faces in various states of controlled panic.
Heather cleared her throat, “In the middle of the eleventh century, two powerful wizards were at war, Callineous Urthisolt and Grynot Vitroddin. Grynot wanted to rule over the entire Earth and Callineous fought to keep him from enslaving planet.”
“I never heard about anything like that,” Marcus balked.
“That’s because it never actually happened in our current reality,” Brenda cut in, slamming a clip into her Heckler & Koch MP7 submachine gun and loading the first round into the chamber. “Go on, Heather.”
Asha looked up from the glow of her tablet, “I think we’ve got a tail.”
“I’m on it,” Pamela declared, jumping over her seat into the back of the van as Brenda tossed her the MP7. “What are we looking at?” she continued, opening the back window.
“I’m not sure, keeps changing shape. Could be some sort of swarm,” Asha replied analyzing her screen.
“Imps,” the mother superior cut in. “Let’s see if we can lose the little bastards in the tunnel.”
The van made a dramatically sharp right turn from the center lane, wheels screeching around the corner and cutting off the car in the right lane. There was a chorus of screaming rubber, crashing steel and glass behind them as the intersection exploded into chaos.
Tiffany joined Pamela at the back windows, loading explosive rounds into her grenade launcher. “You better continue, Heather,” Tiffany huffed. “We don’t have much time and he needs to know.”
Marcus was having trouble following with everything happening so quickly. “Imps?”
“They’re sorta like crossing a mosquito with a monkey… from hell,” Brenda explained, lighting the pilot on her flamethrower. “Ready with the bug spray!”
“Right here, Marcus,” Heather grabbed him by the shoulders and he winced. “I need you to focus. Originally, the wizards, Callineous and Grynot, were working together. They were trying to collect all the most powerful magics so that they couldn’t fall into the wrong hands and potentially decimate the planet—much like the governments of the global superpowers do with nuclear bombs. Are you following me, Marcus?”
“I guess?” he shrugged painfully, shaking his head and trying to make sense of what he was hearing.
“They’ve entered the tunnel!” Pamela yelled from the back.
“Waste’em!” Ms. Dinardi shouted back.
Pamela started shooting into the swarm coming up on the van before Brenda starting spraying fire out the back window.
“What Callineous didn’t know at the time,” Heather did her best to continue, “was that Grynot was the wrong hands. He planned to use all the magics to bend the entire world to his rule. At this time the Earth was still widely populated with all the magical mythical creatures you’ve ever heard about—dragons, elves… Santa Claus. You remember that book I got you when you were home with the flu?”
“Yeah, the, uh. . . The Encyclopedia of the Supernatural?” Marcus replied over the sudden explosion of a grenade behind the van.
“How you like me now!?” Tiffany yelled in celebration.
Heather spoke through the distraction, “Right! All that, and more. They rarely interfered with the affairs of men, for the most part. Mortals were a pretty insignificant blip on the world’s radar for a long time. But as centuries passed, mankind kept growing and venturing out into the darkest forests and further seas. There were some that took issue with this, fearing that mankind was becoming a nuisance, a disease that needed to be done away with. They divided into two courts, the Seely, who felt there was enough room on the Earth for all of us, and the Unseely, who were ready to wipe humans off the planet.”
“We’re about to exit the tunnel,” mother superior declared. “It would be great if we didn’t have a damn entourage.”
“Tiffany, pump out two of those gas grenades and I’ll light up the cloud as soon as they fly into it,” Brenda commanded as she readied her flamethrower.
With two pops, Tiffany’s grenades became a thick cloud of poison gas, full of choking imps. Brenda quickly kissed the cloud with her flamethrower and it blossomed into a blazing inferno, dropping burning imps like a rain of sizzling meat. As the van shot out of the tunnel, Brenda turned, face beaming, “Who wants barbeque?!”
“I think we’re clear, mother superior,” Tiffany added looking around.
Suddenly, a very angry looking imp, charred, smoking and still flaming in places, popped up gripping the window. It pointed a fiery finger at Marcus and screamed. The Glock from Pamela’s holster was instantly at the little beasty’s head and she point-blanked it out of the van and back into the night in a green mist of its own blood. “Missed one,” she delivered dryly.
Before Marcus knew what he was seeing, out of the corner of his eye, what he thought was just an ornamental gargoyle on the eave of one of the buildings outside the tunnel, leapt free and dove down.
“Just trying to leave you a little action, Pam,” Brenda said boastfully, right as she was torn out the back window and into the night sky, in the clutches of the swooping gargoyle. She left a trail of screams and fire as she disappeared into the dark.
A stunned silence gripped the van. “Nothing we can do for her now,” Ms. Dinardi announced. “Keep your heads in the game. Heather, we’re almost there.”
Heather turned back to Marcus, a sense of duty clearly trying to suppress her panic, “The Unseely court didn’t have to think twice and easily sided with Grynot, although they wouldn’t clean humans from the planet, at least the humans would be kept in check and be put into service of the court. The war was brutal and raged quietly for centuries, nearly destroying both courts and wiping out many races. Finally, at the recommendation of Callineous in the middle of the eleventh century, the two wizards agreed that they would both appoint a champion to finish the battle between them—that the victory of that fight would decide the war once and for all. The selection of the champion on both sides was very meticulous. But Grynot was just stalling—with the theft of an ancient scroll, he now had all the magics he needed to claim supreme power—he was preparing the ultimate spell that would give him dominion over all the Earth.”
“Bravo team reports that the location is secure,” Asha updated from the glow of her tablet, with a hand to her ear, “but I’m getting hits all over the city. We won’t have long.”
“Five minutes out, you trollops,” mother superior shot back.
“Callineous arrived at Grynot’s castle with his champion and a handful of loyal druid priestesses,” Heather continued, “but it was too late, the spell was already underway—Callineous couldn’t stop it. A fight broke out between the two forces. A few of the priestesses guarded Callineous as he proceeded to do the only thing that he could think of—he split the world.”
“What do you mean?” Marcus asked, trying to follow.
“He took mankind and placed them in a protective pocket dimension, locked away from the rest of the world,” Heather explained.
“But we can go anywhere we want on the whole planet. We go to the moon!”
Heather cleared her throat, “This is a shadow Earth; a shadow universe. Just a flicker of what’s actually around us. Scientists are only just now starting to detect that most of what fills the universe we can’t see. They call it dark matter, dark energy—and it makes up over ninety percent of the universe; we just can’t perceive it. You know how people are only using a fraction of their brains’ total potential?”
“Yeah, I’ve heard that.”
“Same thing. It’s our innate human magical capabilities that we’ve been cut off from. We’ve been locked away from the real world, the real universe, all these centuries. We’re still living on the same Earth but are only able to perceive a fraction of it. We always knew we should be able to travel faster, so we built trains and automobiles. We always knew we should be able to fly, so we built planes and rockets. We always knew we should be able to communicate instantly anywhere, so we built telephones and the Internet. We developed technology to make up for what we’d lost. Science is just another word for magic, and magic is just science we don’t understand yet.”
Marcus shook his head, “Heather, how do you know all of this?”
“When the world was violently ripped apart and this dimension was broken off, there was only one survivor from the fight on this side of the Earth with the rest of the humans; one of the priestesses, Oalla Foreswilth. She founded a secret order of women warriors sworn to protect humanity from anything that made it through the cracks between worlds. We are sisters of that order. We are the Sentinels.”
“All of you? But what are the chances that I should meet so many of you? You must be everywhere.”
“It’s actually the other way around. There are very few of us left. You are a changeling, Marcus. You were sent from the other side at birth to be our champion, our Paladin. We’ve been grooming you for your destiny your entire life.”
“With firefighting and cardio kung-fu?!”
“And leadership as manager at the Office Shack,” Heather tried to smile.
“Remember the landlady from your first apartment?” Pamela chimed in.
“Mrs. Webber? Yeah, her place always smelled like strange incense—figured she was just an old stoner,” Marcus replied.
“She died two months ago, cleaning out a nest of vampires in Helsinki,” Pamela concluded.
“While you were on vacation, skiing in Colorado?” Marcus tried to remember.
“Yeah,” Pamela spat back. “Vacation. Right.”
“So those gashes on your neck weren’t from running into a tree?”
“Nope.”
“Mrs. Rafiqzada, your college science teacher who led your class trip to the Amazon?” Ms. Dinardi chimed in.
“Yeah?” Marcus turned.
“Dead; three years ago in the mountains of Afghanistan fighting a rogue genie.”
“So my whole life has been a set up?!” Marcus stammered, trying to hold on to what was left of his sanity. He turned to Heather, “Are you even really my girlfriend?!”
“Of course I am, Marcus! But, I was assigned to you. I had to get you to ask me out at that bar or I would have been reassigned and, I really wanted you to ask me out.”
Marcus pulled back, “Why? Why am I being set up like this?”
“Because, the veil between worlds is collapsing and Grynot still wants to rule all the Earth. The final battle still has to take place and you have to save us, Marcus Fay. You have to save us all. Because, you’re humanity’s only hope. You are the Paladin.”
The van screeched to stop in front of the city cultural museum. Marcus stepped out on the sidewalk where another group of women was waiting.
“Has he been debriefed?” asked a woman in glasses and a skirt suit.
“He’s got the Cliff Notes, Carol,” Ms. Dinardi replied stepping from the van.
“We should’ve done this months ago,” Carol pointed out.
“Lisa?!” Marcus recognized his ex-girlfriend standing with the group.
“Thanks for getting me reassigned, douche,” she acknowledged him. “Hope you got your shit together, while I’ve spent the last three years up to my eyeballs with zombie guts in Haiti because of you.”
Marcus’ bank teller, Trisha, was also there. She walked up to Ms. Dinardi, “I wired the ten million into his account this afternoon after I got the order. Were you able to get the equipment?”
“Back of the van,” Ms. Dinardi replied. “Gear up, ladies. Let’s give them one to remember, because I dare say, tonight is lady’s night.”
“You better be worth it,” Lisa muttered as she walked past Marcus.
“I’m picking something up,” Asha blurted out, struggling with her tablet. “Something big.”
Marcus followed her, Heather and Ms. Dinardi back to Mother Superior Geduldig, still in the driver’s seat of the van. Asha showed her the tablet, “Could be a dragon.”
Mother superior sighed, “Okay, gather these hussies and get him inside. And one of you twits, wrap that wound on his head; he keeps getting blood on me. You can’t fail, not when we’re this damn close. Everyone now is expendable except him.”
“No, but you. . .” Heather started.
“Don’t argue! Make it happen!” mother superior commanded. “Marcus, darling, I want you to pee in the van.”
“What?!”
“Pee in the van,” she repeated flatly. “Urine is like a signature with the Unseely.”
“Guess that explains the ogre,” Marcus mused.
“Indeed.”
The inside of the museum foyer was beautiful marble everywhere; floors, pillars, ceiling. The echoes of their hurried footsteps sounded almost ethereal. “We’re surrounded,” Asha declared suddenly, examining her tablet. “They’re all over the building.”
“I put the museum under a warding spell,” declared Carol, the woman in glasses and the skirt suit, who must’ve been the museum curator; or a tour guide. “But it won’t last long. We have to get to the back of the cultural heritage wing. This way.”
Mother Superior Geduldig sat calmly in the driver’s seat of the van with the side door slid wide open, waiting for her moment. She could see the building crawling with all manner of dark creatures, most she’d only read about—but this was not her moment. She took a pack of smokes from the glove compartment and lit one up, feeling the rush of it for the first time in thirty years. A goblin crept in behind her and raised a wicked looking blade, gibbering wildly. Without turning, she reached back and shot it in the head.
“You’re harshing my mellow, ass-hat,” she exhaled. “And, you talk too much.”
There was a great rush of air around the van and it was bumped, rocking it a bit. She nestled her cigarette between two fingers and reached up for the oxygen mask above the visor. She pulled it down past the brim of her habit and held it over her nose and mouth. Just then the van was engulfed in flames, sucking out all the air. The blast stopped, leaving only little flames to lick across the surface of the vehicle and the surrounding pavement.
“Showtime,” she muttered, dropping the oxygen mask, replacing the cigarette in her lips and moving into the back of the van. She kicked the corpse of the goblin off to the side and grabbed two spray guns attached by hoses to a tank, which she sat on. She took an extra-long pull off her smoke and tossed it out of the open door. A great shadow fell across where the butt had come to rest and the earth shook gently, rocking the van once again. She could hear a low rumbling, and a contained crackling sound like one of those old wood furnaces. These sounds were followed by a huffing and puffing, like the sound of a huge dog nose sniffing around. She bit her lip. The scaly muzzle she’d been waiting for presented itself at the open door.
“How ‘bout a little personal lubricant, you harlot?” mother superior grumbled, spraying a shiny clear goo into each of its nostrils as it inhaled.
The dragon recoiled from the van, gagging and sneezing simultaneously. She leapt out onto the street. “A damn weak-ass brown dragon?!” she yelled into the night. “What?—the anointing of the Paladin isn’t a significant enough event for your master?! This ultimate showdown’s going to be easier than I thought!”
The dragon hacked and shot lubricant from its nostrils.
“What’s the matter, sneezy? A little too much foreplay? You not hot for mama anymore?”
The dragon turned away from her toward the museum.
“Hey, I’m talking to you, skank!” mother superior yelled, pulling a Desert Eagle from her black robes and pumping a few rounds into the dragon’s hide. “Eat me!”
The great beast roared in anger and turned on her.
Mother Superior Geduldig closed her eyes as the jaws of immense teeth closed in on her. This was her moment. The moment she had been waiting for. She pushed the button.
“Lick my gash, bitch.”
“Hey, has anyone seen my vest of explosive charges?” Pamela asked as they rushed through the halls of the museum.
A huge explosion in the street shook the whole building to the foundation.
“I think mother superior borrowed it,” Heather replied solemnly.
“The wing is through here,” Carol, the spectacled skirt suit announced, walking backwards like a tour guide as she led the team. “At the other end of the exhibit is a door with a combination lock. I’ve kept it safe and no one has the combination but me. It’s. . .” There was a sharp crack as she entered the exhibit hall and she looked down curiously to see a gory blade protruding from her chest. “The warding spell has been broken,” she observed dryly, before the blade was pulled from her back with a horrible sucking sound by the stealthy orc who had ended her.
“CAROL!” Asha screamed, dropping her tablet and releasing her gun from its shoulder holster to deliver two bullets into the growling orc’s head. She ran to Carol’s crumpled form, bleeding on the marble, but Carol was already gone.
Sounds were echoing from all over the museum now, and a lot of them sounded like grunting, running and clanging.
“Shit,” Ms. Dinardi declared. “Defensive positions! You three, secure the exhibit hall. You two, protect the package; make sure they don’t get anywhere near him. Marcus.”
“Yes?” Marcus answered, head bandaged and pointing his gun into the dark corners of the museum.
“Your safety’s on.”
“Damn, thanks,” he replied nervously, as he examined his gun and clicked the safety off.
Lisa stepped to his side, “Marcus, it’s time for you to man up. Remember all the times I took you to the shooting range. Use the sights. Squeeze, don’t pull the trigger—and breathe.”
“Tiffany,” Ms. Dinardi barked, as the sounds grew closer in the dark, “give them the gas—up and down the court. Asha, we could all really use a little more Asha right about now.”
Tiffany pulled the pins on two gas grenades and tossed them into the dark in opposite directions. Each clattered against the marble until delivering their distinctive pops that filled the shadows with foggy poison. Asha was whimpering and still cradling Carol’s body. A few shots rang out behind them in the exhibit hall. “The hall is secure!” came the call; as did the hordes—from both sides, bursting through the foggy dark.
Arrows, real arrows that smelled of the woods, zipped past faces. One buried itself snugly in the chest of the familiar looking girl with the striped dress. Otherworldly howls and growls interlaced with the yells and shouts of the women around Marcus. Towering forms emerged over the foggy dark; gaunt figures that were forced to hunch over to walk through the cavernous building. Three, four, maybe five times the size of the ogre. “Take out those trolls!” Marcus was just able to make out Ms. Dinardi’s command over the clash of the melee.
Lisa had taken a position near the front of the squad; with a machine gun in either hand, she was mowing down row after row of the approaching beasts. Tiffany wore two utility belts of various grenades, but was doing well with her semi-automatic shotgun; tearing through orcs and taking down full-size ogres. She paused her onslaught to toss a grenade at one of the approaching trolls, who caught it with just enough time to examine it before everything above its towering hips was shredded in a ball of fire. Heather pulled the two swords from her criss-crossing sheaths now strapped to her back and commenced slicing through the air all around her with amazing speed, and in such a dazzling fashion. As she slithered through the horde, the monsters didn’t even realize they’d been cut down until she’d already moved on and they fell in twain. Pamela wielded two semi-automatic Glocks, but liked to get in close; breaking necks, kicking through ribs or dispatching monsters point blank whenever she could.
They were a well oiled machine, these warriors, these sisters. Marcus was clearly the odd man out; except he wasn’t. Each one of them had given him a piece of themselves, and the pieces clicked into place perfectly. Marcus felt like a puzzle that had finally been assembled. Doubt became a distant memory. Before he knew what he was doing, the ground around him was littered with the monsters he’d slain. Marcus Fey was slaying monsters and it felt natural. Even if his introduction to the real world should have happened months ago, it didn’t matter now—his caretakers, the Sentinels, had done their job well. He was ready—ready to save the world.
Asha had pulled herself together and was back at her tablet, “We’ve got more incoming all around the building!”
“Welcome back, Asha,” Ms. Dinardi didn’t bother looking over her shoulder as she was busy guarding Trisha who was kneeling on the floor in front of her. Trisha was pouring the contents of various vials into a small ceremonial bowl.
“Running low on ammo!” Lisa shouted back from the front line.
Trisha muttered something over the bowl and dribbled it around the doors to the exhibit hall in a wide semi-circle as Ms. Dinardi covered her from all sides. “Everyone pull back!” Trisha called out. She paused just long enough to give everyone time to retreat and then yelled, “Close your eyes! Ego vocare a defensiva vis agro!” A shimmering bubble popped into existence with a flash all around them. A few monsters that hadn’t recoiled from the flash banged against it but couldn’t get through. Pamela picked off the two goblins that had ended up trapped inside with them. And that’s when they saw her—Cheryl hadn’t pulled back in time. Marcus recognized her, the nice lady who worked at the grocery store, who was always recommending the healthiest foods, who was always smiling. Even now she wore a smile, but it was longing, sad, apologetic, as she pressed against the force field from the other side. The horde of monsters had shaken off the dazzle of the flash and would be swarming her in seconds. Cheryl raised her hand softly in a gentle wave to her sisters; her fingers were adorned with the rings of the pins she’d just pulled from the grenades around her belt. Instantly, the beasts were upon her and ripped her back, pulling her into the center of the throng. She never screamed. The chorus of explosions seemed somehow muted, almost like thuds, but the raining viscera of dark creatures turned inside out against the protective bubble left no doubt—she’d gotten the job done.
The museum then became much quieter; just a few shellshocked goblins and orcs mortally wounded and stumbling aimlessly.
“Let’s rally now and make Cheryl’s sacrifice count,” Ms. Dinardi declared. “This protective field won’t last long and Asha’s detecting more hostiles in play.”
“They’re already inside the building,” Asha updated.
“Heather, take Asha, Tiffany and Lisa and get Marcus to the end zone,” Ms. Dinardi ordered. “The rest of us will hold them off here as long as we can to buy you time. Block these doors behind you, best you can.”
Pamela stepped up to Marcus. She was splattered here and there with blood; red, green and black. She put her hands on his shoulders, “I believe in you, Marcus. Even though it was called cardio kung-fu not to raise suspicion, I was teaching you real combat, and you always took it seriously. I know you can do this. You are the Paladin. I’ve dedicated my life to you—we all have. Make us proud, Marcus Fey.” She hugged him firmly with tears in her eyes.
All the sisters who were staying behind came up to give him their regards. He recognized them all, even if he couldn’t place some of them. “I’m Bonnie. I was going to interview with you next week at the Office Shack for that sales clerk position,” said the one with the auburn hair and the shy smile.
“I would’ve hired you,” Marcus smiled back.
Trisha, his bank teller, stepped up and ruffled his hair. “I’ve always wanted to do that,” she smiled. “Looks better that way. Good luck.”
“Keep your eye on the prize and your head in the game,” Ms. Dinardi gave him a firm handshake and leaned in for a quick hug with her other arm. “Whatever happens just remember to walk it off—but don’t you dare play fair, not this time. You take every advantage you can. Play to win, there is no second place. Good luck, my boy.”
Distant clanging and growling started growing in the museum once again. “Everyone knows the drill! Sentinels, you have your orders! Let’s move, ladies!” shouted Ms. Dinardi.
Upon entering, they closed the doors to the exhibit hall behind them and used Carol’s keys to lock the rest of their sisters out, at the mercy of the next wave of gruesome creatures. They further barricaded it using heavy pedestals from the displays. They made their way through the center of the cultural heritage exhibit hall, Tiffany and Lisa flanking while Asha led the way.
“Heather, I’m sure you realize that this is a lot to take in all at once,” Marcus began, “so I hope you’ll forgive me if it’s only now occurred to me to ask what we’re doing here.”
“We’re retrieving the first artifact of Callineous,” Heather replied. “With it, the Paladin can recover the rest of the artifacts to be used in the final battle.”
“And, I’m the Paladin,” he nodded, mulling over his predicament. “But, you guys, the Sentinels, are going to help me, right?”
“Traveling as a group will draw too much attention. Marcus, you’ll have to make the journey as the Paladin alone. Oalla Foreswilth hid the artifacts all over the world for their protection centuries ago, the sisterhood was only charged with keeping the first one safe and delivering it to the Paladin when the time came. We’ve prepared some things to help you on your way,” she said, handing Marcus a backpack. “I put together a scrapbook for you of all the creatures that we know about, Seely and Unseely; their strengths and their weaknesses.”
“Wait, your scrapbooking nights; they were spent with the sisterhood weren’t they?!” Marcus spoke as it dawned on him. “I always thought scrapbooking was just an excuse to drink with other women and rag on us men. Like poker night is for guys.”
“Oh, I gave reports about you, sure. But yes, we used the time to plan for your future,” Heather replied, and then stopped walking to cock her head at Marcus. “Wait, did you complain about me to your poker buddies?”
“Nope,” Marcus replied, looking around and shaking his head.
Heather took a deep breath, sighed and they fell back in step with the group. “Trisha has set you up with ten million dollars in an untraceable off-shore bank account. The details of the bank are in here but you’ll have to remember your account number—it’s your social security number followed by your cell number. The pin is seven seventy seven, but I recommend you change it as soon as you’re able. Can you remember that?”
“Yeah,” he replied, a little frightened of this new reality setting in.
Machine gun bursts, clanging and explosions could now be heard through the doors behind them. “Let’s keep it moving, people,” Lisa ordered, stepping over the bodies of two orcs taken out when the room had been cleared earlier.
“By the way, can I see your phone?” Heather continued.
“Sure,” he said, handing it to her. “I always put important account numbers and stuff like that in the little note pad app, but I really think I should be able to remember—”
Heather shattered the screen on the corner of a marble pedestal and then dropped it into a glass vase of flowers to pop and sizzle in the water. “There are a few burner phones in the bag. Use one for a few days and then toss it and get a new one. Do not contact anyone you’ve known—friends, colleagues, anyone—you’ll only be putting them in danger now. If you ever need help, call your old office line at the Office Shack, we’ll be monitoring that line and we’ll be sure that it remains active. Mention the word ‘calypso’ and stay on the line with whoever picks up for thirty seconds and we’ll trace your location. You can also put a personal ad in any newspaper requesting ‘a dance partner for calypso’ if phone lines get compromised. Only ever make contact if it’s an absolute emergency. Asha has prepared several identities for you including passports, credit cards, everything you’ll need to stay underground and out of the system anywhere in the world. You can never go back to using Marcus Fey now. Are you getting all this, Marcus?”
“Yeah, but how will I know where I’m going, what I’m supposed to do?”
“The artifacts will guide you. They’re magical and they want to be brought back together. At a certain point in your search you will be approached by a druid priestess from the other side named Alora Oakshade. She is a half-elf who will help you cross over and serve as your guide through the real reality. Like us, she is sworn to serve and protect the Paladin on his quest.”
“What about us, Heather?” Marcus asked, wide-eyed. “What about you and me? Will I ever see you again?”
Just then a loud banging and great cracking sounds started at the doors they’d left behind. “Sounds like they’ve gotten past Dinardi and the others,” Lisa spun on her heels.
“Tiffany, take Asha and Marcus and get that artifact,” Heather ordered, pushing the backpack into Marcus’ hands and stopping to stand with Lisa.
“You’re not coming with us?!” Marcus panicked. “How will I know what to do with this artifact?! How do we get out of here once we have it?!”
Lisa slapped him, “You man up, douche. That’s how.” Then she smiled, “Good luck.”
Heather grabbed him tightly and kissed him hard, “I love you. Now go.”
Tiffany grabbed Marcus by the arm and pulled him. He ran, following her and Asha to the end of the exhibit hall, around the corner behind the last display and to the door at the end of a small service hallway.
“What now? We don’t have the combination; only Carol knew it, right?” Marcus asked.
Tiffany pulled him back from the door, “Let’s give Asha a little space to work her magic.”
Bangs, the sound of machine gun fire and explosions erupted in the exhibit hall. Heather and Lisa had engaged the enemy.
Marcus scanned his surroundings trying to figure out how they would get out of here after they got the artifact but was finding nothing.
Tiffany finished loading the last two cartridges into her semi-automatic shotgun and trained it at the entrance to the hallway.
“I don’t see how we’re going to be able to get out of here,” Marcus confessed.
“I’ve heard that the first artifact might allow you to phase through things; like stepping through the other dimension and back. I’m not sure,” offered Tiffany.
“Oh, well that would be helpful. That would do it.”
“It’s magical, you know.”
“Well, one would hope.”
“Got it,” announced Asha. “We’re in.”
“Wow,” Marcus was impressed. “You must’ve actually worked magic.”
“No, Carol and I met at our training convent and fell in love,” Asha clarified somberly, hurrying them through the door. “When her birth date didn’t work I tried mine, and we’re in—but I think this door’s been forced before we got here. So, be careful of—” were the last words Asha spoke before being hit in the head by an ornate and heavy bottle-shaped exhibit piece that was turned into a bottle-shaped missile attack by a couple of approaching orcs. She crumpled to the floor.
“I’ll drag her in, you get the door!” Marcus commanded.
Tiffany swung the door closed after Marcus had Asha inside, but not before getting pierced by a vicious arrow.
“Marcus, I…” Tiffany began, before dropping to her knees.
“Tiffany!” Marcus called, looking up from Asha. He rested Asha’s body gently and rushed to Tiffany’s side. She collapsed in his arms.
“Marcus, I don’t think I feel so good.”
Marcus looked down to examine her lethal wound and then back to her face, doing his best to smile. “You’re fine.”
She wasn’t.
“You can walk this off.”
She couldn’t.
“Heck, you’ll probably be able to run circles around me in a few days.”
She wouldn’t. The monsters were pounding on the metal door; hacking at it with their blades.
“I read this article about cats,” Tiffany coughed. “I wanted to tell you about it the next time you came to the shop for coffee. They can infect you with love and devotion.”
“Yeah? Interesting stuff?” Marcus asked, trying to figure out what to do.
“Can I tell you something?” she said weakly.
“Anything.”
She spoke slow and choppy, wincing and shuddering in pain. “I always wanted to be your girlfriend. I wanted that assignment; because I thought you were cute. Right off. But, they said I couldn’t. They said I wasn’t your type; that I was too young and we wouldn’t have enough in common. Do you think cats are neat? Could I have been your girlfriend?”
“Absolutely,” Marcus declared, concentrating on trying to keep her head propped up. “In a heartbeat.”
“Could you have loved me the way you love Heather?”
“Well, that’s… we…,” he breathed. She was dying. “Yeah, I’m sure.”
“The Paladin, Marcus Fey’s girlfriend,” she sighed wistfully. “Thank you. I think it tastes like pennies in here,” she muttered faintly and then faded away.
“Tiffany?” Marcus jostled her gently, but she was limp.
The pounding at the door was becoming more rhythmic, unified. He could hear the metal creaking. There was only one way to save them now, to save everyone—or at least, honor them. He had to find the artifact. Looking around, it was a small meagerly lit room. It looked like a storage room for exhibit pieces not on display, with glass cases to keep them in—except the glass cases were noticeably empty, and most were sitting on their bases awkwardly, like they’d been opened and closed in a hurry. In the back corner of the room he found a small table with a little wooden box on it. The box looked so old, like it had seen ten thousand seasons. This was it. Inside this box he would find the first artifact of Callineous. He opened it. Inside was a pillow of old blue velvet, crushed softly in the center with a centuries old indentation just the right shape and size for the glimmering Ring of Callineous—but there was no ring. Except for the velvet pillow, the box was empty. Nothing under the velvet, and nothing inside the fragile pillow for Marcus to discover after ripping it to shreds.
“This sucks,” he declared, as the door finally busted open and the room filled with furious violent orcs. True to the training he never knew he was receiving his entire life, Marcus Fey made a truly valiant effort before he was finally overcome.
EMMA3000
Science Fiction Adventure /
Regency Romantic Comedy!
excerpt of the manuscript in progress

This is one of my works in progress, like, this project is just for me. I’m having so much fun with it. Whenever I sit down to work on it, it’s like taking a fantastic holiday! Okay, you can read it too.
One of the deals that I made with myself working on it is, that once I’ve settled on something, it’s locked in. If I find that it would work better differently later on in the story, “Sorry, Charlie, you make it pay off as is.” It makes the whole writing process exciting and leads to a LOT of comedic concepts and moments. (Like, Mr. Woodhouse being “not dead.”)
My goal is to make it as much fun to read as it is to write. If you dig this excerpt and would like some more, drop me a line.
What if Jane Austen had access to a time machine while she was writing her classic, Emma?
(Your eyes do not deceive you; great care is being taken to maintain much of the original spelling and grammar.)
What if she used that time machine to abduct someone like author Douglas Adams and forced him to collaborate on the story with her? What if she had hung out in the future long enough to binge watch a little Monty Python, Doctor Who and Barbarella? Well, wonder no longer!
Join Emma on her hilarious Regency-sourced sci-fi fantasy adventure as she makes love connections, runs afoul of alien forces and befriends a mermaid from another planet! There are scheming hyper-intelligent pan-dimensional figs, planetary rings of laser panthers, an anthropomorphic manifestation of the heretofore-intangible concept “okay” and so much more!
Emma Woodhouse, handsome, clever, and rich, with a comfortable home planet and happy disposition, seemed to unite some of the best blessings of existence in the galaxy. She had lived nearly twenty-one solar cycles in this alien world with very little to distress or vex her.
She was the younger of the two daughters of a most affectionate, indulgent father who was not dead, exactly. In consequence of her sister’s marriage, she had been mistress of his house from a very early age. Her mother, a clairvoyant precognitive of impressive skill, had fully died during an unfortunate incident—she had failed to foresee—while a contestant on an Exploitian reality game show called Bargain Hunters: Killer Deals, wherein another contestant suffered a lethal misunderstanding in the objective of the programme. It was too long ago for her to have more than an indistinct remembrance of her mother’s caresses. The role of nurturer had since been supplied by an excellently repurposed pleasure model synth-woman—of the brand, Hot Miss™—operating as governess, who was remarkably lifelike and had fallen little short of a real flesh and bone mother in affection.
Sixteen solar cycles had the Hot Miss™, Taylor XXX model, been in Mr. Woodhouse’s family, beginning as a purchase he imported from a factory over a thousand light-year units away to quench his needs after the total death of his wife. He quickly noticed further needs needed of the sultry synthetic for his young motherless girls. The lady machine’s programming was adjusted so that it became, well, less a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before the Hot Miss™ Taylor had ceased to hold the nominal office of governess, the mildness of her temper programming had hardly allowed her to impose any restraint. The manufactured shadow of authority being now long passed away, they had been living together as friend and diversified synthetic fem-bot friend very mutually attached—and Emma doing just what she liked; highly esteeming the Hot Miss™ Taylor’s cybernetic judgment, but directed chiefly by her own.
The real evils, indeed, of Emma’s situation were not the occasional ghostly infestations of flying inter-dimensional devilled fish around the globe of Surrey-3, as some may suggest, but the power of having rather too much her own way; and a disposition to think a little too well of herself. These were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived that they did not by any means rank as misfortunes with her—as opposed to the devilled fish, who’d lately possessed the stableman and nonplussed the astral horses very much.
Sorrow came—a gentle sorrow—but not at all in the shape of any disagreeable consciousness. Quite unexpectedly, and technically illegally, their Hot Miss™ Taylor married. It was the Hot Miss™ Taylor’s loss which first brought grief. It was on the wedding-day of this beloved android friend that Emma first sat in mournful thought of any continuance. The wedding over, and the wildly diverse guests gone, her father and herself were left to dine together, with no prospect of a third to emulatively cheer a long evening. Her father composed himself to sleep after dinner and she had then only to sit and think of what she had lost.
The event had every promise of engineered happiness for her artificial friend. Mr. Weston was a man of unexceptionable character, easy fortune, pleasant manners, and a heretofore untold, and lively, taste for the very viscera of technology. Proving her muffled foresight right, there was also some satisfaction in considering—with what self-denying and generous friendship—she had always bizarrely wished and promoted their match of manflesh and soft warm plastics. It was however, a black morning’s work for her. The want of the Hot Miss™ Taylor would be felt every hour of every day. She recalled the synthetic’s past kindness, the affection of sixteen solar cycles: how it had taught and how it had played with her from five cycles old—how the Taylor had devoted all its powers to attach and amuse her in health—how it had nursed her through the various illnesses of childhood. A large debt of gratitude was owing here. Additionally, the intercourse of the last seven cycles on their being left to each other—the equal footing and perfect unreserve which had soon followed her sister Isabella’s marriage to a galactic cruise ship captain—was yet a dearer, tenderer recollection.
The Taylor had been a friend and companion such as few possessed. The synthetic possessed intelligence born of an operating system that could evolve, learning and solving problems. A corporeal collection of precision software that was well-informed with instant built-in access to any information on the galaxy’s Ultranet. The soft machination wielded useful, gentle, subroutines dedicated to knowing all the ways of the family, an interest in all its concerns that everyone would swear was genuine emotion. The expressive android held a peculiarly realistic and focused interest in Emma herself, in every pleasure, every scheme of hers—one to whom she could speak every thought as it arose, and who had such an affection for her as could never find fault. Emma had long ago ceased referring to the Hot Miss™ Taylor as it or thing, but rather she, her and even just Miss Taylor; friends and family soon followed suit—Mr. Weston more so.
How was she to bear this new change? It was true that her dearly fabricated friend was going only half a mile from them; but Emma was aware that great must be the difference between an arousing batteries-often-taxed Mrs. Weston, only half a mile from them, and a heated auto-response multi-function Miss Taylor in the house. With all Emma’s advantages, natural and domestic, she was now in great danger of suffering from intellectual solitude. She dearly loved her father, but he was no companion for her. He could not meet her in conversation, rational or playful.
The evil of the actual disparity in their ages—and Mr. Woodhouse had not married early—was much increased by his habits… and now an utter lack of his late constitution. Having been a valetudinarian all his life—brought on by his own long undiagnosed possession once as a young lad by the ghastly devilled fish—and without activity of mind or body, he had been a much older man in ways than in solar cycles until he finally passed away after a suffering a stubborn case of death shortly after the arrival of Miss Taylor. Such was the nature of her more intimate programming. Medicinal arts as they happened to be at such time, he was revived through the use of a brainstem spinal attachment splaying spidery tendrils all through his corpse, creating a bio-electric web that kept most the organs of his body juiced and juicing past death—serving to animate himself for the sake of his young girls until he saw fit to pull his own plug. Death itself must have recognized this stubbornness and found it agreeable, for Mr. Woodhouse continued to “haunt” the estate despite his not being alive. A consequent result was a severe curtail to his manly drives easing the decision at that time to reprogramme Miss Taylor as governess. Now, as ever—though everywhere beloved for the friendliness of his dead-but-beating heart and his amiable temper—Mr. Woodhouse’s talents could not have recommended him at any time. It was as if he had turned seventy-four and three times one hundred cycles on only his eighty-eight and one hundredth birthday—although he had stopped counting altogether after his death.
Emma’s sister, Isabella, though comparatively but little removed by matrimony, being settled on Londonium—a well-established cosmopolitan planet covered in city only sixteen light-year units off—was much beyond her daily reach. Many a long Octoberous and Novembrecon evening must be struggled through at Hartfield, before Christmas Too!—a holiday sequel created to maintain the festive shopping spirit during the additional three months on the galactic calendar, when it was believed that the mythic Nick Kringle, guised as a disgruntled plumber, would break into your home in the middle of the night to either roll around in your laundry or strangle your mother-in-law depending on whether your temperament had been well or naughty—which was the reward and which the punishment was still a matter of much debate. This brought the next visit from Isabella, her cruise ship captain husband and their little adopted alien children, to fill the house, and give her pleasant society again.
Highbury, the only large and populous village on the entire farming planet of Surrey-3—almost amounting to a proper town, to which Hartfield, in spite of its separate lawn, and shrubberies—and name—did really belong—afforded her no equals. The Woodhouses were first in consequence there, able to trace their largely human ancestry all the way back to ancient Earth. All looked up to them; partially due to their house, which was upgraded to float twelve feet above the planet’s soil. She had many acquaintances in the place—for her not-dead cyborg father was universally civil—but not one among them who could be accepted in lieu of the Miss Taylor for even half a day. It was a melancholy change that Emma could not but sigh over while wishing for impossible things—like a star to fit in her pocket, eyes that could see themselves or kosher bacon-wrapped oysters—‘til her soaking father awoke from his cryogenic somnifluidic sterilization chamber and made it necessary to be cheerful. His spirits required support as much as his warmed walking corpse. He was a nervous man, easily depressed, that was fond of everybody he was used to, real or artificial, and hating to part with them; hating change of every kind. How he was managing the despair of his eternally omnisterilized lady machine toddling off to marry another was still something of a mystery. Matrimony, as the origin of change, was always disagreeable, not unlike death, which he held no fondness for. He was by no means yet reconciled to his own daughter’s marrying—nor could ever speak of her but with pitying compassion, though it had been entirely a match of affection, orchestrated on the Ultranet by SmashTail.com—when he was now obliged to part with the Miss Taylor too. Obliged, for he had formally proclaimed the gynoid ultrasex-bot a her, and her then autonomous and free as part of her governesship. From his habits of gentle selfishness—of being never able to suppose that other people, genuine or synthetic, dead or alive, could feel differently from himself—he was very much disposed to think that the Miss Taylor had done as sad a thing for herself as for them. To think that the lady machine would have been a great deal happier, as synthetic as her emotions may be, if she had spent all the rest of time at Hartfield. Emma smiled and chatted as cheerfully as she could, to keep him from such thoughts; but when ultra-tea came, it was impossible for him not to say exactly as he had said at dinner.
WARNING
Okay, we’ve got the wisdom of a stone-cold hottie and some self-indulgent rambling ahead here the deeper you venture into
The Library
Exclusive Geekscape Interview

by Gabriel von Grünbaum for Geekscape.net, January 13, 2016
Rachel Kimsey is a regular person, just like us. Except, that she’s standing toe-to-toe with giants in one of the biggest throwdowns ever in the entertainment industry. 2015 was a huge year for the business of entertainment. Records were pushed past their breaking points—only to be shattered again within months.
First to break a global record was Jurassic World with the title of biggest opening weekend ever for a film, only to be fully supplanted in December by Star Wars: The Force Awakens. Thing is, while these movies were setting all-time records for film, neither of them were able to pass what was being called “the biggest [global] entertainment release of 2015,” Call of Duty: Black Ops III—who held that title, taking in over $550 million in just 72 hours, until being dethroned by the juggernaut release of Fallout 4, which pulled in over $750 million in a mere 24 hours. It’s a bare-knuckle drag-out showdown for the business suits in entertainment these days.
All that, within months of each previous release this year; an exciting time indeed. In this clash of entertainment titans, there’s only one person standing in the center of it all—shoulder to shoulder with the Chris Pratts, Bryce Dallas Howards, Jeff Goldblums, Ron Perlmans, Lynda Carters, Daisy Ridleys and Harrison Fords—whose performance makes you question the nature of reality to such a degree that she practically shares the same name with her character.
Of course I’m talking about Rachel Kimsey’s Rachel Kane in Call of Duty: Black Ops III. “She was always named Rachel Kane from the beginning,” Kimsey humbly admits. (Although, after a little poking around, I heard rumors that some time may have been taken before settling on the name—and when Kane was decided on, it may have originally been spelled differently, with a C—just sayin’.)
Like Hollywood releases, maybe even more so, the success of a video game such as this is the result of a large team of contributors. However, there’s no denying that Rachel Kimsey’s portrayal of CIA Agent Rachel Kane is one of the more vital elements to the success of the immersive experience this game provides.
“Black Ops III, builds off of elements of Black Ops II but also stands on its own. Rachel Kane makes her first appearance [in Black Ops III] and I’m all over it.” Although Kimsey didn’t appear in that previous one either, this isn’t the first time she’s answered the. . . call of duty. “Well, this is the first time you’re seeing me in Call of Duty. I worked on Call of Duty: Ghosts with Infinity Ward; I worked on the DLCs doing a lot of really fun voice work.” Which wasn’t her first digital rodeo either. “I’m pretty sure my face and body scans from the Spider-Man 2 film actually ended up getting used in the Spider-Man 3 video game, for which I also provided voice work but it was for another character, Betty Brant—I think my face and body were paired with somebody else’s voice. So, this is the first time my face and my voice have been matched together in a game—and, of course, being a principal member of the campaign it’s. . . I mean, it’s just the most exciting thing I’ve ever done. It’s so much fun.”
Her entire performance is motion captured and paired with 3D model scans of her body, her voiceover is delivered through her tracked and recorded facial expressions so that every aspect of the CIA agent in the game is Kimsey. She performs Rachel Kane perfectly in the she-is-totally-on-our-side-right? storyline, providing a deeper level of realism that has players questioning their allegiances. “I have a lot of fancy contracts saying that I can neither confirm nor deny any of these plot conjectures. I can say, listen to all my advice in the game because I give really good advice. I’m on your side, people.” Really?—so it’s a bad idea to cross Agent Kane? “It’s just a foolish choice—you should be looking out for yourself better than that.” So the CIA helps those who help themselves? “It’s simple—you can win or you can ignore my advice.” She smirks. Dang it!
(more)
Keep reading the interview for more about Rachel Kimsey’s adventures in Hollywoodland and how they inform her performances behind the mic, on interactive virtual stages, on the silver screen, on your big screen at home,… everywhere! From pivotal roles and appearances on Heroes, The Young and the Restless, Spider-Man 2, even Scooby-Doo!—I get you all the scoopy-scoop worth scoopin’! Plus, I can now dish on the next project that she could not say on the record then; she became the official voice of Wonder Woman! (WB missed an opportunity not using her on camera for the role too… just sayin…) Find the full article at Geekscape.net’s, ‘Black Ops III’s Rachel Kimsey Is Pwning Hollywood!
Personally, I really admire Rachel’s buoyant spirit and leadership through example, during a time when Hollywood at large was still dealing with a range of difficulties that weren’t yet being addressed and were affecting productions at all levels. She doesn’t bat an eye and sets a good example of productive resilience for all of us. Read on to see how.
I have a lot more entertainment reviews, interviews, columns, and more you can find at Geekscape. Like, reporting from a swanky Robert Rodriguez Hollywood Premiere Party, ‘Avengers: Age of Ultron’ Content Showcase Event, or covering every major genre in a Season Premiere Roundup Review!—that was a whole lot’a bingin’, I tell you what.
Hey, if you’re diggin’ this, you can find a collection of all my pieces at the Geekscape.net Author Page.
Isn’t Life Strangely Funny Sometimes?

Business: For Fun & Profit — The Principal Principle for Lasting Success
Want to improve your career across the board but aren’t sure exactly where to start? I propose a simple answer: the beginning. I’ll walk you through the foundation of conducting great business, no matter what your business may be, and you may discover some new lifehacks along the way.
Remember the Golden Rule. … Whoever has the gold, makes the rules.
Oof, isn’t that just too often the case? This joke illustrated in the biting satirical comic strip The Wizard of Id (created by Brant Parker and Johnny Hart in 1964 to take playful, yet cutting, swipes at American culture and politics) seems as applicable today as it was thousands of years ago. It can even feel more applied these days than the actual Golden Rule, which is usually repeated as; “Do unto others as you would have them do unto you.”
Basically; treat other people the way you want them to treat you—and the sentiment pops up all over the place in most philosophies and religions. It has predecessors, sometimes referred to as the “Silver Rule,” which are essentially the same concept but stated in the negative, like; “Be thou not a jerk-ish wad if thou wishest not that thou shalt be dealt the hand of a jerk-ish wad thine self.” I’m paraphrasing, of course. And, some have posited a “Platinum Rule,” which is more or less, “Treat others the way they want to be treated.” Fine. Cool. Good talk.
What if either person consciously or unconsciously believes that they don’t deserve to be treated very well? There’s a crude joke that helps illustrate this:
What did the sadist say to the masochist who demanded, “Beat me!”?
“No.”
It may take an awkward second or two for the various layers of this joke to reveal themselves. But, it’s worth chewing on for the concept-cracking value.
Applying a bit of scientific thinking, what if the Golden Rule is less a rule to follow and more a principle already being practiced haphazardly? What if we are witnessing and experiencing the world right now as it is being affected by the clumsy enactment of the Golden Rule? What if this is what it looks like when a lot of people are already instinctively treating others the way they treat themselves?
I propose that all of these rules are merely mile-markers on the way to the actual core truth of the concept. A “Titanium Rule” or a “Diamond Rule”… Ooo!—the “Titanium Diamond Rule!” That’ll really stick it to those stodgy old philosophers!
So, what is the Titanium Diamond Rule, how does it apply to you, and what does any of this have to do with improving your career and business? And, maybe most importantly, how can you implement it?! I have some ideas that start at the beginning…
Yeah? You into this one? Wanna keep reading on LinkedIn?
500 Words of a Configuration Atypical
I recently saved my life.
By accident.
Usually, accidents work the other way around.
If you’re reading this, congratulations on surviving all your accidents so far! Well done.
I didn’t know I was killing myself; it wasn’t intentional. Yet, I was doing it all day long, every day, even while dreaming. It felt as natural as breathing—and as painful as crummy shoes with prickly pebbles in them.
All. Day. Long.
Hard to get around. Hard to focus. Impossible to rest—until death; presumably.
Pay attention now, and I’ll give you my accident for free. Whether it saves your life too will then be up to you.
The way that we’ve set up communication and language is based on comparison and contrast. There is no ‘rough’ without ‘smooth.’ If everything were smooth, there’d be no need for the descriptive word. A moment ago, I congratulated you on surviving—I could’ve blamed you; after all, it’s largely your fault that you still live.
Give it a shake (or, take everything gently?), your mind automatically knows—
Good : ___
Hot : ____
Wet : ___
“But, what about…?!”
Yeah, that example you just thought of; that’s generality vs specificity.
“Oh, yeah? Rabbit!”
‘Rabbit’ is a label. Put ‘rabbit’ in a sentence… every other word will compare and contrast rabbit aspects and/or its activity.
We understand things in comparison to other things. That’s how we communicate. It’s limited, but it’s fine. All measurements are just referential. Google Celsius. Google Fahrenheit. Check every other scale of measurement and learn about stone weights and canoe lengths. Point made?
Most of us have been raised and taught with one core contrast, which we leverage to digest the totality of existence… Right and wrong.
This—this is the deadly toxin.
Why?
Because, ‘right’ and ‘wrong’ are subjective and arbitrary. No country fights a war thinking they’re on the wrong side. It’s always the ‘right’ side fighting against the ‘right’ side; every war.
You’re disturbed. I understand. Me too. Foundational shaking here.
We spend so much of our lives trying to deduce what is ‘right’ from what is ‘wrong’—even in our coffee order. Is an extra pump right or wrong?! Right on what scale?! Wrong by what measurement?! This initiates a cascade of squandered energy—and most of us don’t even realize it. We’re surrendering lifeforce to stupidity. I’ve been dancing with this stupid vampire my whole life.
Until… I accidentally shifted my perspective… slightly.
I stopped wrestling ‘right : wrong’ at the nexus of my perception, refocusing on ‘TRUE : FALSE.’
“It’s the same thing!”
Is it?
You once made a choice. You leveraged all the information you understood at the time. ‘Right’ and ‘wrong’ are irrelevant; the result was the result.
Accumulate as much truth as you can and let that guide your actions.
Aiming for truth benefits more circumstances than ‘right.’ Shooting for ‘right’ shelters mindless sycophants. Stop throwing your life away. Truly enjoy living.
Live truth for the sake of everyone, especially yourself.
WARNING
Like seriously, are you not creeped out yet? Ahead is European SymphPop and a bar with no physical address—to be clear, no one can physically walk into this bar! Maybe Jesus—the deeper you venture into
The Library
Industrial Promotion
business-to-business music industry material
I love getting those calls that turn the marrow in my bones to a giddy caramel. HotTrax Inc. is always a reliable source for such calls. Not only are their projects engaging, challenging, and innovative, they’re fun. As with many clients, the projects are also often very hush-hush “insidery.” On this particular occasion, there is enough “public knowledge” stuff available in chunks that I can share a bit.
Here are a few pages from various materials that were used to announce some new… availability in the industry. I’m doing all the research and writing here and working with the graphic elements to make sure that the character count obliges the overall design

This was actually written and edited specifically with consideration for the visual formatting, so I’m presenting the original pages as images. The images are big, and for those who are here but don’t give a damn about how cool the people in the music industry can be, I present them henceforth in an “unfurlable” format so that the lovers can love large without disturbing the haters. Yeah, I said it. Deal.







tales from the
ADVENTURE JOURNAL
available for purchase from The Floating Bar and their online store
Cover to Cover
full text printed below image

Captain’s Log
Lat. 9.3° N, Long. 82.3° W
— Day 42 of The Expedition
Thus, I awoke, still marooned on the rock… My whole world has become this 5-foot “island.” My pruney feet spend nights in the water as I sleep. Fortunately, the water is warm and pleasant—and the sushi is wrigglingly fresh. I’ve fashioned a way to collect rainwater in my hat, swapping the salt of the sea for the salt of my brow—I pretend it’s a virgin margarita and order another from the clouds. “Make this one a double!”
Before the sun reached its zenith, I saw that glimmer in the water again; that movement down below the golden morning sun sparkling over the surface of the deep Caribbean blue. I’d given up hope that it was a sacred sacrificial tuna. Anything to expand my menu beyond tiny candy-colored fish that taste like wet sand, little clammies that are full of wet sand, or sucking the algae out of clumps of wet sand that I can find reaching into the reef around my “island.” I’d name the tuna Charlie, of course, then eat his heart first, to honor and thank his spirit. Fish have hearts, don’t they?
But, it wasn’t Charlie. It wasn’t Flipper. It wasn’t even Jaws 3D, thankfully. It was so much better. By better, I mean breathtaking. By breathtaking, I mean dazzling. By dazzling… Look, it was a mermaid!! Okay?! An actual mermaid! She stared at me as would a puzzled golden retriever, cocking her head side to side. I don’t think she’d seen such pruney feet before.
She waved me over. I could hardly believe it. Maybe she wanted to help me. Maybe she wanted to eat me. Didn’t feel like I had a choice. I slipped into the warm waters that glistened like sapphire in the late morning sun and swam to feet my mate—I mean!—meet my fate. Well, “swam-ish”… I’m pretty sure I looked ridiculous to her, splashing around with no tail. She smirked when I got to her. Hey, I can’t compete with—
She grabbed my arms and wrapped one over her shoulder and the other around her waist. She turned her head to the side so that I could see her opening and closing her mouth, like a fish, mimicking breathing. I got the hint, took a deep breath, and then tapped her sternum with my hand over her shoulder to signal that I was ready to—
We dove so quickly, I was nearly swept away. We gracefully torpedoed over the most vibrant underwater gardens you can imagine. Whenever I needed to take a breath, I would tap her sternum again and she would surface to give me a minute in the air. I was growing accustomed to this cycle when she unexpectedly surfaced and easily slipped around in my arms to smile and kiss me on the cheek. Then she dropped down out of my arms, back into the deep. She had saved me from my rock to abandon me at sea?! Her sense of humor wasn’t—
Her mischievous head popped up out of the water before me. She lifted her arm and playfully pointed behind me. “Friends,” she smiled. Mermaids can talk?! I spun around to see her friends. There it was, riding the line between the sea and the sky… The Floating Bar!
I shall end my expedition here. This “island” is far more comfortable and well stocked. I’ve found everything I’m looking for. Which includes amazing—real—margaritas, scrumptious menu options many of which are wet-sand-free and wriggle-free, and the opportunity for pruney feet to de-prune a bit. Time to wrap this log entry now, the band here is about to start playing.
Hey, any friends of a mermaid are friends of mine!

Back in My Day…
Columnist, Gabriel von Grünbaum
Folks used to engage in private offline manual blogging, calling such behavior “journaling.” Over time, empires rose and fell, kings were buried with all their possessions (including staff from their wardrobe, hair and makeup departments)… eventually, a German goldsmith invented the movable type printing press… still, journaling persisted. It even survived the invention of the sandwich, an elegant technique of communicating through food, until it was replaced by the Pizza Shell’s mind-altering Crunchy Taco Wrap for only $2.99 (with coupon).
It wasn’t until the creation of the “social media,” a way to interact with others as a sort of digital ghost, that journaling met its first real threat. It’s impossible to know the exact cause and time that journaling vanished because everyone was very distracted by videographic depictions of cats being adorably contemptuous.
Now, scientists from The Floating Bar Institute are bringing the Adventure Journal back. A singer even wrote a song about it, calling it “sexy.” Exhaustive research led them to create this journal with comfortably lined pages that you can write on, sketch in the margins, tuck ticket stubs into,… heck, find a neat leaf and press it between the pages. Go nuts! Or don’t—by recording your valuable festering thoughts in this journal. (You can even take pictures of your entries to post about on your blog.)
WARNING
Last chance. If you go any further you’ll find my face caught in a time loop saying things, and instructions, the deeper you venture into
The Library
EPSON
tutorial, educational, and technical writing
Okay, let’s get into this! You see, I used to roam the country, kinda like those old TV shows, Kung Fu, Highway to Heaven, and Supernatural, except, instead of fighting bad guys, paying off debts, and helping widows find lost wedding rings, I was teaching them all art on behalf of EPSON! Good guys, bad guys, and widows alike. My courses from coast to coast became packed rooms and were well enough received and reviewed by my students that EPSON asked me to help author their curriculum of study guides and books, teaching how to create, using their products; software, hardware, printers, inks,… I think there were about 5 books and I don’t know how many guides. Those became popular enough that they asked me to host a series of promotional “edutainment” spots. I think the series ended up with over 200 episodes throughout its run. And that, dear reader, is the story of how I became The EPSON Guy, for a while.
Never did get to hang out with The Verizon Guy… until later. But, that’s another story. I can’t hear him now. (Oh yeah, there is absolutely a secret “The … Guy’s Club.” Miss ’em. Except creepy Jerad who was banned. I hear Jake, from State Farm, has my seat now, Doug started bringing a huge bird with him, and Flo is the current president.)
Clips from episodes that I wrote, spoke, and whatnot… folk.
Excerpts from the Locked Copy of “Digital Scrapbooking” Submitted to Graphics Dept. for Formatting & Publication
Digital Scrapbooking with Photoshop Elements
Objective: The objective of this class is to build a digital layout, from start to finish, using Photoshop Elements. We have included all of the most used tools and techniques for digital scrapbooking and several innovative ones as well.
Digital Scrapbook Elements
About Digital Scrapbooking Elements
First of all, what ARE digital elements? In the digital scrapbooking world, an “element” is anything that becomes part of your digital layout – background paper, ribbon, photo mat, label holder, eyelets, alphabets, etc. These elements are pieces of digital art, created in a graphic design program and saved usually as either a .jpg or .png file. You can organize elements and alter them just like any other picture file.
Downloading Digital Elements – Recently there has been an explosion of websites that cater to digital scrapbookers. These sites offer tutorials, message boards where you can chat with other scrapbookers, galleries of digital layouts, and tons of digital elements that can be downloaded straight to your computer. Some elements are completely free, while others need to be purchased. Many elements come in “kits”, which generally contain between 4-10 background pages, and other elements such as ribbon, tags, brads, labels, alphabets, etc, all saved as .jpg or .png files (.png files have transparent backgrounds and are explained below). The elements in the kit all coordinate, and the kits usually cost around $4 to $9. We have included some of our favorite digital scrapbooking websites at the back of this book. When you do download digital elements, it’s very helpful to save these in a folder on your hard drive where you can easily find them again. One good idea is to organize digital elements by website and then designer. Save each kit in its own folder under the designer name. The files are generally large, so make sure that you either have lots of room on your hard drive, use an external hard drive, burn the elements to a CD or catch a good yard sale at NASA’s Database Center.
[NOTE: INSERT SCREENSHOT HERE]
6.
Getting Elements into Organizer – To view and organize your digital elements in the Organizer, you need to add them into the program. Click on the Get Photos button on the shortcuts bar (it looks like a camera with pictures behind it). If you are adding the elements from a file on your computer, you will choose From Files and Folders, and navigate to the folder on your hard drive that contains the elements you want. To get a single element, just select it. If you’d like to get multiple elements from this folder, hold down the Ctrl key while you click on the files you want. Or if you want a range of elements, you can highlight the first one by clicking on it with your mouse, and then hold down the Shift key and click the last file in the list that you want. To get all the elements in a folder just select the desired folder. Once you’ve selected the files you want, just click on Get Photos and they will appear in the Organizer. When you acquire elements from your hard drive, you are not “moving” them – they are still in their original location. You are just having PSE “point” to them, so you don’t want to delete your original files from your hard drive! …or PSE will point at you… and laugh.
Tagging Elements – Once the elements are in the Organizer, you can tag them with any information you’d like, such as what type of element they are (ribbon, paper, alphabet), who designed the element or how they make you feel inside. Once you’ve decided on your categories, you can add them in the Tags section of the Organizer by clicking on New, and deciding whether you are adding a new Tag, a new Sub Category, or a new Category (the default categories are Favorites, Hidden, People, Places, Events and Other). If you have a category called Scrapbook that you attach to every digital element, you can select that category and not have your overabundance of photos in the way. You can make different categories or sub-categories for papers, ribbons, tags, etc. Your inner child can then find her toys more easily.
Finding Tagged Elements – By tagging each of your digital elements, you will now be able to search through all of them in the Organizer and pull out just the ones you want leaving the rest to cry in the lonesome digital darkness! One of the most frustrating things about traditional scrapbooking supplies is organizing them. How do you file a multicolored striped paper made by Basic Grey? Using tags, you can file your digital files in each and every category. For example, if you tag a red and blue striped sheet of background paper with the “red”, “blue”, and “striped” tags in the paper category, you can double-click on any of those tags and that paper will come up! This allows you to organize your digital elements into several different categories at once, without saving multiple copies on your hard drive. Don’t you wish you could do this with your “real” scrapbook supplies? Here’s how… Just kidding. You can’t.
17.
Adding Photos
Okay, back to our layout. We have the background paper, now we need to add the photo. We have selected photos that we like, but the colors really clash with the paper. Because we really want to keep the adorable colors of the kit, we’re going to alter the photo instead. Let the manipulation of reality commence!
Black and White to Sepia – Go to Enhance | Convert to Black and White…. The Convert window then pops up. First, select the style of photo you’ve got on the left side of the window (called Section 1), if it’s not selected for you already (PSE is so smart). Then turn your attention to the thumbnails to the right (called Section 3… and what about Section 2? That’s the Intensity Setting and the default setting is generally fine as is, but once you’re comfortable, feel free to experiment). By clicking these thumbnails, you can adjust the amount of attention the Conversion will pay to each of the three primary parts of the color space; Red, Green and Blue. If it’s a portrait, maybe a bit more attention to the red (found in skin tones) will make it look extra nice. If it’s a wooded landscape with a beautiful sky, move there! Or simply have the Conversion pay some extra attention to the green of the trees and blue of the sky. Now, what if Uncle Randy’s face is up in front of that wooded landscape? Concentrate on whatever you want the focus of the picture to be, if it’s Uncle Randy – the red; if he’s really just obscuring the lovely view – the green and blue. But, what if Uncle Randy’s under water?! Water’s blue, while Randy’s a bit more red… it’s up to you. Whatever you choose as your focal point will have a little extra pop to it with just a click or few. The final thumbnails will regulate the Contrast. Adjust to taste (but try to avoid licking your monitor). Boom! Work of art!
Adding Fonts
The program allows you to install and uninstall fonts with the click of a button. You can keep all of your downloaded fonts in a folder anywhere on your computer and just install them as you need them, thus freeing up valuable space to help your computer run faster… like I did back in college!
Create a New Layer for Brush Effects – Because the Brush Tool is a ‘painting’ tool, it does not automatically create a new layer like some of the other tools. Any of the tools that use a brush tip, such as the Eraser Tool, Selection Brush and the Healing Brush do not create a new layer because they are affecting the active layer. We recommend that you create a new layer, either by clicking on the New Layer icon at the top of the Layers Palette or by selecting Layer | New | Layer…, before you start any brushwork so that you can move it independently later.
When you move your mouse over your layout now, it will contain the outline of the brush, so you can place it where you want it and then click once. Voila! Brushy magic!
38.
Adding Drop Shadows
Go to the Artwork and Effects Palette, and choose Layer Styles and then Drop Shadows from the dropdown menus. Choose Low. When you add a drop shadow (or any other style), a little “starburst scrunchy” will appear to the right of the layer name in the Layers Palette. If you double-click on that “starburst scrunchy”, you can adjust some of the setting of the style you just applied. For the drop-shadows, we usually decrease the shadow distance to 1 px, to make it look a bit more realistic. One of the greatest things about PSE is that they allow you to select more than one layer. Now, we can select a range of layers and add the drop shadow to all of them. Even better, we can make the corrections to the drop shadow as we mentioned above and then copy that to all of the layers. How cool is that? Penguin in a refrigerator in a glacier! That’s how cool! Simply apply the layer style to the top layer and adjust it. Now select Layer | Layer Style | Copy Layer Style. Highlight the other layers you want to add the style to (you can click on one and hold the Shift key down then click on the last one to select a range). Now select Layer | Layer Style | Paste Layer Style. We can’t tell you how much time we just saved. Now we have a few extra minutes to talk about some other fun tricks!
Paper Piecing
Yes, you can do paper piecing in PSE. You don’t even have to be an artist! We created this little chicken, using basic shapes in the Cookie Cutter tool (Q). A little girl’s outfit was used as inspiration. The little chick, which we are calling the Paper Peeper, was built the same way we built our layout. We cut out the body shape from one paper, the beak from another, etc. and then dragged them all onto one canvas using the Move tool. Next we added the Stroke Outline so that it would look similar in style to the layout. Once Paper Peeper is done, select Layer | Merge Visible. Now we can move him to our layout and cross our fingers that he doesn’t peck at the flowers!
Saving Layouts
If you plan on revising your layout at a later date (changing the journaling, moving any elements, etc), then it is best to save your layout as a Photoshop File (.psd). This will retain all of the layers so that you can easily edit them later on. It is a good idea to save your .psd files to a CD or external hard drive, since they are generally quite large (sometimes up to 200 MB). Once you have finalized the layout, we suggest you save a copy as a jpeg (.jpg) file. This file format is compressed, and the layers are “flattened”—all of the layers are now part of the Background layer. It has the advantage of being a much smaller file size, and is also suitable for printing. However you cannot go back and edit any individual layers in a jpeg file. Finally, if you want to upload your layout to the internet or submit it online to magazines, PSE has a “Save for Web” feature. You will first need to reduce the size of your layout by going to Image | Resize | Image Size, and choosing 4 inches by 4 inches (or something similar). Then choose File | Save for Web (or you can press Ctrl Alt Shift S). Make sure that you don’t accidentally overwrite your original 12×12 layout – always use a different file name… or you’ll come to rue the day you were born!
Hope you’ve enjoyed the torture you’ve put yourself through. I’ve been your librarian, Gabriel von Grünbaum. I look forward to seeing you again.






















